American Life in Poetry: Column 9
BY TED KOOSER, U.S. POET LAUREATE
In eighteen linesone long sentenceJames Doyle evokes two settings: an actual parade and a remembered one. By dissolving time and contrasting the scenes, the poet helps us recognize the power of memory and the subtle ways it can move us.
The City's Oldest Known Survivor of the Great War
marches in uniform down the traffic stripe
at the center of the street, counts time
to the unseen web that has rearranged
the air around him, his left hand
stiff as a leather strap along his side,
the other saluting right through the decades
as if they weren't there, as if everyone under ninety
were pervasive fog the morning would dispel
in its own good time, as if the high school band
all flapping thighs and cuffs behind him
were as ghostly as the tumbleweed on every road
dead-ended in the present, all the ancient infantry
shoulder right, through a skein of bone, presenting arms
across the drift, nothing but empty graves now
to round off another century,
the sweet honey of the old cadence, the streets
going by at attention, the banners glistening with dew,
the wives and children blowing kisses.
American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln.
Poem copyright © 2004 by James Doyle and reprinted from the New Orleans Review, Vol. 30, No.2, by permission of the author. His latest book is Einstein Considers a Sand Dune, Steel Toe Books, 2004.
Introduction copyright © 2014 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.