American Life in Poetry: Column 119
BY TED KOOSER, U.S. POET LAUREATE
I’m especially attracted to poems that describe places I might not otherwise visit, in the manner of good travel writing. I’m a dedicated stay-at-home and much prefer to read something fascinating about a place than visit it myself. Here the Hawaii poet, Joseph Stanton, describes a tree that few of us have seen but all of us have eaten from.
They are tall herbs, really, not trees,
though they can shoot up thirty feet
if all goes well for them. Cut in cross
section they look like gigantic onions,
multi-layered mysteries with ghostly hearts.
Their leaves are made to be broken by the wind,
if wind there be, but the crosswise tears
they are built to expect do them no harm.
Around the steady staff of the leafstalk
the broken fronds flap in the breeze
like brief forgotten flags, but these
tattered, green, photosynthetic machines
know how to grasp with their broken fingers
the gold coins of light that give open air
its shine. In hot, dry weather the fingers
fold down to touch on each side--
a kind of prayer to clasp what damp they can
against the too much light.
We do not accept unsolicited submissions. American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright © 2006 by Joseph Stanton. Reprinted from “A Field Guide to the Wildlife of Suburban O’ahu,” Time Being Books, 2006, with permission of the publisher. Introduction copyright © 2019 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.